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Closed Position, Cuddle
In closed position, the man and the woman are facing each other, but they are not belly button to belly button. She is offset just a little to the man's right side. Her right hip bone is against his right, but steps will still be taken between the other's feet. In maintaining this position, the woman has two important responsibilities. One is to maintain that hip contact as best as she can, and the other is to maintain pressure into the man's right arm. I wonder if one should think of this role as one of conflict: she wants to be close, but she is pushing away, as well.
Notice that the man's upper arms are almost horizontal, sloping just a little down from the shoulders. Her left elbow is raised, and her left hand rests ever so lightly on his upper arm. You'll see some variation in the woman's left hand position below, but her contact should be light. One common flaw is for the woman to hang on her man. Yes, he is big and strong, but to move lightly, we must each bear our own weight. If he were to step back, she should be able to maintain her position with no additional effort.
Above the waist, both are well apart from each other and shifted a bit to the left, "looking out their own windows." Each body makes a gentle curve, like two bananas. The couple on the right above demonstrates these curves especially well and in two different planes. On the plane that runs front to back, through the two dancers, each is in contact at the hips but separated at head and feet: two bananas "facing" each other. The extension of the man's lead foot and the woman's trail foot behind emphasizes this curvature. On the plane that runs side to side, between the two, each arches away to his or her left. The man's right-side stretch and the woman's strongly closed head emphasize this curvature. One common flaw here is for the man to lean over his woman. That pushes her off balance and hurts her back. Keep the top lines apart.
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| The man's right hand should reach close to the center of the woman's back, and his fingers should be held tightly together. |
He is taking an unusually long step here, but his top line is up; he is not leaning over her at all. |
His strong left-side stretch had closed her head. |
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| Facial grimaces are sometimes hard to avoid, in the intense concentration and in the heat of the battle, but we should try to smile. A smile is part of what makes it look smooth and effortless. |
Notice the arch to her left wrist. Her left arm is above his right, not lying on his arm. |
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| The curves are shallow here, but the two bananas are certainly recognizable. |
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Cuddle Position
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| Cuddle Position is a close embrace in which each partner's arms are around the other. |
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Given time, at the end of a dance, for instance, she might even lay her head on his shoulder. |
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© A. Gorczycki; A. Miller; D. Drury; E.Allen; F. Lepretre; J. Lee; P. Sosabowski; P. Suba; R. Sullivan; V. Kanonikov; Y. Merkulov; from Dancesport UK photo gallery. |
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Photo Album --Table of Contents
Some Steps, Positions, & Figures
- Dance Frame
- Forward, Back, Walk, Run, Strut, Hop, Press, Knee, Kick, Flick
- Apart, Point, Cross, Through, Rock, Check, Drag, Hook, Bow, Kiss
- Closed Position, Cuddle
- Banjo & Sidecar Positions
- Semi & L-Position
- Open Position, Escort, Butterfly, Back-to-Back
- Shadow Position, Skaters, Varsouvienne, Tandem
- Fencing Line, New Yorker, Aida, Pickup, Alamana, Lariet, Whip, Wheel, Lady Across
- Chair, Contra Check, Corte, Dip, Lunge
- Promenade Sway, Oversway, Throwaway Oversway, Hinge, and Samefoot Lunge
- Figurehead, Stork Line, Oblique Line, Sit
- Develope, Leg Crawl, Leg Over
- Layback and Layover
- Caress, Around the World, Body Investigate
- Lift, Split, Flip, Cantilever, Disco Point, Twist
- A Few "Footprint" Diagrams
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Vernon and Irene Castle:
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Fred Astaire Making Love On the Dance Floor
- Movies with Ginger, 1933 & 1934
- Movies with Ginger, 1935
- Movies with Ginger, 1936
- Movies with Ginger, 1937 & 1938
- Movies with Ginger, 1939 & 1949
- Movies without Ginger, 1940 1942
- Movies without Ginger, 1943 1952
- Movies & TV, 50s, 60s, & 70s
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"When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return."
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Page last revised 10/23/06 |