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Semi-Closed or Promenade,
Reverse Semi, and L-Position
At first glance, semi-closed does not look greatly different from closed position. The hips are still together, and the feet and toplines are apart. The woman is positioned a bit to the man's right side. The arms are up, presenting a smooth oval around the man's shoulders, across the lead arms, around the woman's shoulders, and back across the trail arms. Especially notice the position of the woman's arm in the right photo above. Her fingers are lightly placed on her man's right shoulder, but she is supporting herself and is not pulling or hanging on her partner. The man's right arm is still around the woman, and his fingers reach about the center of her back. Lead hands are joined.
But in semi, the couple has opened a little down line. The man has used his hips to turn the woman just a little right face, and he has used a little right side stretch to "open her head," to cause her to look to the right. When the man steps forward with his lead, the woman will step forward, too. When he steps thruough with his trail foot, she will do likewise. Both look down line and step down line together. In the right photo above, they are doing this, stepping and even lunging through together.
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| Both heads are open. Lead hips (man's left and woman's right) are apart. Lead feet are free. |
His right hand is just touching her spine. His fingers and thumb are tightly together and inclined downward. |
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| Right side stretch is what opens the head. |
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| Remember to smile. |
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Don't open up this far. This is almost a half-open position. |
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Reverse Semi-Closed
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| If the man turns a little right face and the woman left face, you have reverse semi. Notice that the arm positions do not change, only body and hip relations. Well, the man's right hand must move more to her shoulder, as his right side moves away from her left. Look toward reverse line of dance. |
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L-Position
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| L-Position is opened farther than Semi. The two bodies are aligned at right angles to each other. |
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© A. Curths; A. Gorczycki; D. Drury; E. Allen; F. Lepretre; J. Lee; P. Sosabowski; R. Sullivan; R. Szabatin; V. Kanonikov; from Dancesport UK photo gallery. |
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Photo Album --Table of Contents
Some Steps, Positions, & Figures
- Dance Frame
- Forward, Back, Walk, Run, Strut, Hop, Press, Knee, Kick, Flick
- Apart, Point, Cross, Through, Rock, Check, Drag, Hook, Bow, Kiss
- Closed Position, Cuddle
- Banjo & Sidecar Positions
- Semi & L-Position
- Open Position, Escort, Butterfly, Back-to-Back
- Shadow Position, Skaters, Varsouvienne, Tandem
- Fencing Line, New Yorker, Aida, Pickup, Alamana, Lariet, Whip, Wheel, Lady Across
- Chair, Contra Check, Corte, Dip, Lunge
- Promenade Sway, Oversway, Throwaway Oversway, Hinge, and Samefoot Lunge
- Figurehead, Stork Line, Oblique Line, Sit
- Develope, Leg Crawl, Leg Over
- Layback and Layover
- Caress, Around the World, Body Investigate
- Lift, Split, Flip, Cantilever, Disco Point, Twist
- A Few "Footprint" Diagrams
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Vernon and Irene Castle:
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Fred Astaire Making Love On the Dance Floor
- Movies with Ginger, 1933 & 1934
- Movies with Ginger, 1935
- Movies with Ginger, 1936
- Movies with Ginger, 1937 & 1938
- Movies with Ginger, 1939 & 1949
- Movies without Ginger, 1940 1942
- Movies without Ginger, 1943 1952
- Movies & TV, 50s, 60s, & 70s
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"Millions long for immortality who do not know what to do with themselves on a rainy Sunday afternoon."
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Page last revised 10/23/06 |